Type
  • Regular
  • Regular Semi Italic
  • Regular Italic
Style: Regular
  • None
  • ss01 (S, s, 2)
  • ss02 (Z, z)
  • ss03 (t)
  • ss04 (u)
  • ss05 (Short desc.)
  • ss06 (Raised desc.)
  • ss07 (Round punt., acc.)
  • ss08 (Thin punt., sym., acc., )
Stylistic Set: None
Print PDF
FT Supplement, Regular

Online news platforms, social media, and the 24-hour news cycle revolutionized how people consume news. Traditional newspapers faced declining print circulation as readers turned to free digital content. Many newspapers transitioned to online subscriptions to sustain revenue, while others ceased print editions altogether. Citizen journalism also emerged as social media platforms allowed individuals to report breaking news in real time, challenging the dominance of traditional newspapers. Despite their rich history, newspapers face several challenges in the digital age, including declining print sales, loss of advertising revenue, and the spread of misinformation on social media. The rise of digital-only news outlets has also intensified competition.

However, newspapers continue to adapt through subscription-based models, multimedia integration, and a renewed focus on fact-checking and investigative journalism. Trusted newspapers have positioned themselves as credible sources amidst the rise of misinformation, ensuring their relevance in the modern media landscape. From ancient news bulletins to the digital frontier, newspapers have continuously evolved to meet society’s changing needs. While the future of print remains uncertain, the fundamental role of journalism in informing the public and upholding democracy remains steadfast. Newspapers, whether in print or digital form, will continue to adapt, ensuring that the tradition of news reporting persists in the ever-changing media landscape.

FT Supplement, Regular

Modern

FT Supplement, Regular

However, newspapers continue to adapt through subscription-based models, multimedia integration, and a renewed focus on fact-checking and investigative journalism. Trusted newspapers have positioned themselves as credible sources amidst the rise of misinformation, ensuring their relevance in the modern media landscape. From ancient news bulletins to the digital frontier, newspapers have continuously evolved to meet society’s changing needs. While the future of print remains uncertain, the fundamental role of journalism in informing the public and upholding democracy remains steadfast.

FT Supplement, Regular

In this way, they act as both witnesses and agents of artistic change

FT Supplement, Semi Italic

The transition from handwritten news sheets to printed newspapers began in Europe during the 15th and 16th centuries, following Gutenberg’s invention of the printing press around 1440. The press revolutionized communication by making books and pamphlets widely accessible. The first recognizable newspaper was published by Johann Carolus in Strasbourg, Germany, in 1605. Soon, newspapers began appearing in other European countries, such as Germany, the Netherlands, France, and England. These early newspapers primarily catered to the elite, providing reports on politics, wars, and commerce. With the Enlightenment and increasing literacy rates, newspapers gained popularity as vehicles for political discourse.

The 18th century saw the emergence of influential publications that combined news with essays and literary criticism. In America, newspapers played a crucial role in the Revolutionary War, with some publications becoming prominent platforms for discussing colonial grievances against British rule. By the 19th century, newspapers had become widely circulated and accessible to the general public, thanks to technological advancements like the steam-powered printing press. The 19th century marked a turning point for newspapers as industrialization and urbanization fueled the demand for timely news. Innovations such as the telegraph enabled real-time reporting, while the rotary press allowed for large-scale newspaper production.

FT Supplement, Semi Italic

Prints

FT Supplement, Semi Italic

However, newspapers continue to adapt through subscription-based models, multimedia integration, and a renewed focus on fact-checking and investigative journalism. Trusted newspapers have positioned themselves as credible sources amidst the rise of misinformation, ensuring their relevance in the modern media landscape. From ancient news bulletins to the digital frontier, newspapers have continuously evolved to meet society’s changing needs. While the future of print remains uncertain, the fundamental role of journalism in informing the public and upholding democracy remains steadfast.

FT Supplement, Semi Italic

Press revolutionized communication by making books and pamphlets

FT Supplement, Regular and Semi Italic

This new method overcame many of the shortcomings of woodblock printing. Rather than manually carving an individual block to print a single page, movable type printing allowed for the quick assembly of a page of text. Furthermore, these new, more compact type fonts could be reused and stored. Wang Zhen used two rotating circular tables as trays for laying out his type. The first table was separated into 24 trays in which each movable type was categorized based on a number corresponding with a rhyming pattern. The second table contained miscellaneous characters.

FT Supplement, Regular and Semi Italic

Economist MONOCLE

FT Supplement, Regular and Semi Italic

ACTA DIURNA Enlightenment Handwritten ESTABLISH

Urbanization JOURNALISM Sensationalist HEADLINES

FT Supplement, Italic

Art magazines have long played a crucial role in shaping the public’s understanding of both contemporary and historical art. These publications serve not only as platforms for criticism and discovery, but also as dynamic spaces for dialogue among artists, curators, collectors, and the general public. From glossy international editions like Artforum, Frieze, and Flash Art, to smaller independent zines focusing on underground, local, or experimental art scenes, art magazines cover a wide spectrum of creative expression. One of the primary functions of art magazines is to bridge the gap between the art world and the broader audience. Through artist interviews, exhibition reviews, critical essays, and curated visual content, these publications provide readers with valuable insight into the motivations, processes, and contexts behind artistic works.

They often spotlight emerging talents, bring attention to underrepresented or marginalized voices, and provide critical reflection on broader social, political, and aesthetic issues. Moreover, art magazines contribute to the creation of artistic discourse and cultural memory. In this way, they act as both witnesses and agents of artistic change. With the rise of digital, many art mags have adapted by offering online editions, video content, and interactive formats. Digital platforms allow for broader accessibility and global reach, yet print editions remain relevant for their tangible aesthetic, collectible value, and design quality. In an ever-changing cultural landscape, art mags continue to serve as vital tools for education, inspiration, and connection, encouraging thoughtful engagement with the visual world and helping preserve the evolving narratives of art history.

FT Supplement, Italic

Frieze

FT Supplement, Italic

However, newspapers continue to adapt through subscription-based models, multimedia integration, and a renewed focus on fact-checking and investigative journalism. Trusted newspapers have positioned themselves as credible sources amidst the rise of misinformation, ensuring their relevance in the modern media landscape. From ancient news bulletins to the digital frontier, newspapers have continuously evolved to meet society’s changing needs. While the future of print remains uncertain, the fundamental role of journalism in informing the public and upholding democracy remains steadfast.

FT Supplement, Italic

Newspapers have continuously evolved to meet Society’s changes

FT Supplement, Regular and Italic

New Yorker Observer

FT Supplement, Regular and Italic

This new method overcame many of the shortcomings of woodblock printing. Rather than manually carving an individual block to print a single page, movable type printing allowed for the quick assembly of a page of text. Furthermore, these new, more compact type fonts could be reused and stored. Wang Zhen used two rotating circular tables as trays for laying out his type. The first table was separated into 24 trays in which each movable type was categorized based on a number corresponding with a rhyming pattern. The second table contained miscellaneous characters.

FT Supplement, Regular and Italic

REVOLUTION Entertainment PUBLICATION Technological

Communication NARRATIVES Advancements PLATFORMS

Features
Stylistic set 01 (Alternate S, s, 2) 

Specials, S/S 2022

Stylistic set 02 (Alternate Z) 

RAZZMATAZZ

Stylistic set 02 (Alternate z) 

Pizzicato

Stylistic set 03 (Alternate t) 

Intermittently

Stylistic set 04 (Alternate u) 

Acupuncturist

Stylistic set 05 (Shortened descenders) 

Typography principles

Stylistic set 06 (Raised descenders) 

Typography principles

Stylistic set 07 (Round punctuation, accents) 

Bestätigt; Vrijzinnigheid.

Stylistic set 08 (Thin punctuation, symbols, accents) 

(Gyógyfürdővel).

Case sensitive form

({[• STD, A + B

Slashed Zero

1.000.500.75

Contextual alternates (arrows)

Entrance ->

Contextual alternates (Multiply)

100x120

Contextual alternates (account, care of, after sight)

a/c c/o a/s

Glyphset
Letters
A
A
B
B
C
C
D
D
E
E
F
F
G
G
H
H
I
I
J
J
K
K
L
L
M
M
N
N
O
O
P
P
Q
Q
R
R
S
S
T
T
U
U
V
V
W
W
X
X
Y
Y
Z
Z
a
a
b
b
c
c
d
d
e
e
f
f
g
g
h
h
i
i
j
j
k
k
l
l
m
m
n
n
o
o
p
p
q
q
r
r
s
s
t
t
u
u
v
v
w
w
x
x
y
y
z
z
Figures
0
0
1
1
2
2
3
3
4
4
5
5
6
6
7
7
8
8
9
9
Punctuation
.
.
,
,
:
:
;
;
!
!
¡
¡
?
?
¿
¿
·
·
*
*
#
#
/
/
/
/
\
\
_
_
(
(
)
)
{
{
}
}
[
[
]
]
«
«
»
»
"
"
'
'
About FT Supplement

FT Supplement is a display font that takes its cue from old wood types. Its tall, narrow design and details are reminiscent of early 20th-century posters and newspapers. The condensed design and tight spacing make it perfect for large compositions, titles, or producing logos that stand out. It offers various style sets, making it easy to create different feelings and contrasts.

Information

Version: 2.000 Year(s): 2022 (Release), 2025 (Update) Designer: Piero Di Biase Spacing and kerning: iKern Mastering: Alberto Malossi Glyphs: 1671 Formats: otf, woff, woff2

OpenType

aalt (Access All Alternates) ccmp (Glyphs Composition/Decomposition) locl (Localized Forms) subs (Subscript) sinf (Scientific Inferiors) sups (Superscript) numr (Numerators) dnom (Denominators) frac (Fractions) ordn (Ordinals) pnum (Proportional Figures) case (Case Sensitive Forms) dlig (Discretional Ligatures) liga (Standard Ligatures) zero (Slashed Zero) calt (Contextual Alternates) salt (Stylistic Alternates) rlig (Required Ligatures)

Supported languages

Abkhazian, Acehnese, Adangme, Adyghe, Afrikaans, Akan, Albanian, Aleut, Angika, Apache, Western, Aragonese, Arapaho, Aromanian, Asturian, Asu, Avaric, Awadhi, Aymara, Azerbaijani, Bafia, Balinese, Bambara, Basque, Bemba, Bena, Bini, Bislama, Bosnian, Breton, Buginese, Cajun French, Catalan, Cebuano, Chamorro, Cheyenne, Chickasaw, Chiga, Chuukese, Colognian, Comorian, Cornish, Corsican, Croatian, Czech, Dakota, Danish, Dargwa, Dazaga, Dogrib, Duala, Dutch, Efik, Ekajuk, Embu, English, Esperanto, Estonian, Ewondo, Faroese, Fijian, Filipino, Finnish, Fon, French, Friulian, Fula, Ga, Galician, Ganda, German, Gilbertese, Gorontalo, Guarani, Gusii, Gwichʼin, Haitian Creole, Hausa, Hawaiian, Herero, Hiligaynon, Hungarian, Hupa, Iban, Ibibio, Icelandic, Ido, Igbo, Iloko, Inari Sami, Indonesian, Interlingua, Irish, Italian, Javanese, Jju, Jola-Fonyi, Kabardian, Kabuverdianu, Kachin, Kako, Kalaallisut, Kalenjin, Kalmyk, Kamba, Kanuri, Karachay-Balkar, Karelian, Khasi, Kikuyu, Kimbundu, Kinyarwanda, Klingon, Komi, Koro, Koyra Chiini, Koyraboro Senni, Kuanyama, Kumyk, Kurukh, Kwasio, Ladino, Lakota, Langi, Latin, Latvian, Lezghian, Limburgish, Lingala, Lithuanian, Lojban, Louisiana Creole, Lower Sorbian, Lozi, Luba-Katanga, Luba-Lulua, Lule Sami, Lunda, Luo, Luxembourgish, Luyia, Machame, Madurese, Magahi, Makasar, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Māori, Mapuche, Mari, Marshallese, Masai, Mende, Meru, Metaʼ, Mi’kmaw, Minangkabau, Mirandese, Mizo, Mohawk, Moksha, Morisyen, Mossi, Mundang, Mvskoke, Nauru, Navajo, Ndonga, Neapolitan, Newari, Ngambay, Ngiemboon, Nias, Niuean, Nogai, North Ndebele, North Sámi, Northern Sotho, Norwegian Bokmål, Norwegian Nynorsk, Nyanja, Nyankole, Occitan, Oromo, Palauan, Pampanga, Pangasinan, Papiamento, Pite Sámi, Polish, Portuguese, Quechua, Rapanui, Rarotongan, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Samoan, Sandawe, Sango, Sangu, Sardinian, Scots, Scottish Gaelic, Sena, Serbian, Shambala, Shan, Shona, Sicilian, Siksiká, Skolt Sami, Slovak, Slovenian, Soga, Somali, Soninke, South Ndebele, South Sámi, Southern Altai, Southern Sotho, Spanish, Sranan Tongo, Sukuma, Sundanese, Swahili, Swati, Swedish, Swiss German, Tahitian, Taita, Taroko, Tasawaq, Teso, Tetum, Timne, Tok Pisin, Tongan, Tsonga, Tswana, Tumbuka, Turkish, Turkmen, Tuvalu, Tuvinian, Tyap, Udmurt, Umbundu, Ume Sámi, Upper Sorbian, Uzbek, Vai, Vunjo, Walloon, Waray, Welsh, Wolastoqey, Wolof, Xhosa, Yangben, Yemba, Yoruba, Zarma, Zaza, Zulu, Zuni.